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Home : Saadeh Bejjane Architecture, Architecture Styles |
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Saadeh Bejjane Architecture, Architecture Styles |
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1- Architecture Style, Paul Rudolph Architect |
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Paul Marvin Rudolph was an American architect and the
Chair of Yale University's Department of Architecture for six years, known
for his use of concrete and highly complex floor plans. His most famous
work is the Yale Art and Architecture Building (A&A Building), a
spatially complex brutalist concrete structure. (Wikipedia)
Born: October 23, 1918, Elkton, Kentucky, United States Died: August
8, 1997, New York City, New York, United States Books: The architecture
of Paul Rudol...ph, Writings on architecture, more Education:
Auburn University, Harvard University, Harvard Graduate School of
Design
In the late 1950s, Paul Rudolph's Florida
houses began to attract attention outside of the architectural community
and he started receiving commissions for larger works such as the Jewett
Art Center at Wellesley College. He then took the chairmanship of the Yale
School of Architecture Department. He designed the Temple Street Parking
Garage, also in New Haven, in 1962.
While chair of the Department of Architecture at Yale, Rudolph taught
Muzharul Islam, Norman Foster and Richard Rogers, all attending the
Master's course as scholarship students. Foster in particular has noted
the significant influence that Rudolph had upon him. Rudolph was invited
to Bangladesh by Muzharul Islam and designed Bangladesh Agricultural
University.
He worked on the Milam Residence, which was designed and constructed
between 1959 and 1961. It still stands today on Florida's eastern coast,
outside Jacksonville. Here, the only dimensional control was the size of
standard concrete blocks that were used (8 x 8 x 16 in), fair-faced, for
structural and partition walls alike. The large blocks provide shade for
the windows, allowing the Florida home to be easily cooled. This house's
seaside facade of stacked rectangles exemplifies the sculptural nature of
Rudolph's work during this period. From inside the structure, Rudolf
wanted the inhabitants to locate themselves according to mood, so the
large two-story window in the living room contrasts other areas of the
home which feel more cave-like and secluded. Rudolph's fascination with
European Modernism and the neo-Classical theory made this a difficult
building to construct. Rudolph had to show concern for multiple influences
as well as his own style. At the time, Rudolph was working independently
and would later become an icon in European Modernism.
While the Brutalist style fell out of favor in the U.S. during the
1970s, Rudolph's work evolved, and became in demand in other countries.
Rudolph designed reflective glass office towers in this period, such as
the City Center Towers in Fort Worth, Texas, which departed from his
concrete works. Rudolph continued working on projects in Singapore, where
he designed The Concourse office tower with its ribbon windows and
interweaving floors, as well as projects in other Asian countries through
the last years of his life. |
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2-
Architecture Style,
Richard
Meier |
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Richard Meier, born October 12, 1934, is an "American
abstract artist and architect, whose geometric designs make prominent use
of the color white |
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3-
Architecture Style,
Mies van der
Rohe |
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Ludwig Mies van der Rohe was a German-American architect.
He is commonly referred to and was addressed as Mies, his surname.
(Wikipedia) Born: March 27, 1886, Aachen, Germany Died: August 17,
1969, Chicago, Illinois, United States Influenced by: Le Corbusier,
Frank Lloyd Wright, Peter Behrens Organization founded: Illinois
Institute of Technology ...
Quotes: - Architecture starts when you
carefully put two bricks together. There it begins. - I don't want to
be interesting. I want to be good. - God is in the details.
Along with Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is
widely regarded as one of the pioneers of modernist architecture.
Mies, like many of his post-World War I contemporaries, sought to
establish a new architectural style that could represent modern times just
as Classical and Gothic did for their own eras. He created an influential
twentieth-century architectural style, stated with extreme clarity and
simplicity. His mature buildings made use of modern materials such as
industrial steel and plate glass to define interior spaces. He strove
toward an architecture with a minimal framework of structural order
balanced against the implied freedom of unobstructed free-flowing open
space. He called his buildings "skin and bones" architecture. He sought an
objective approach that would guide the creative process of architectural
design, but he was always concerned with expressing the spirit of the
modern era. He is often associated with his quotation of the aphorisms,
"less is more" and "God is in the details".
He continued with a series of pioneering projects, culminating in his
two European masterworks: the temporary German Pavilion for the Barcelona
exposition (often called the Barcelona Pavilion) in 1929 (a 1986
reconstruction is now built on the original site) and the elegant Villa
Tugendhat in Brno, Czech Republic, completed in 1930.
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4- Architecture Style,
Le Corbusier |
Le Corbusier
was a Swiss-born French architect who belonged to the first generation of
the so-called International school of architecture.
“I prefer drawing to talking. Drawing is faster, and leaves less room
for lies.” —Le Corbusier ...
Le Corbusier was born Charles-Edouard
Jeanneret-Gris in Switzerland on October 6, 1887. In 1917, he moved to
Paris and assumed the pseudonym Le Corbusier. In his architecture, he
chiefly built with steel and reinforced concrete and worked with elemental
geometric forms. Le Corbusier's painting emphasized clear forms and
structures, which corresponded to his architecture.
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